The question about whether or not it is time for tire replacement may be raised if one encounters hydroplaning or unusual sliding on wet roads. Jiffy Lube’s top three symptoms that indicate the need for a tire rotation are: front tires wearing more quickly than rear tires, rear tires wearing more quickly than the front, and cupping along edges of tires Some examples of signs that you’re nearing the end of your tire’s lifespan include tread patterns that indicate misalignment or excessive wear, sidewall bulging, or vibrations during driving, any of which should be inspected. After an excessive amount of wear, tire replacement may be necessary. Tire Services & Repairsĭuring tire rotation services from Jiffy Lube, professionals also check for additional signs that may be causing uneven wear such as faulty inflation, or misaligned suspension components. As always, refer to your owner’s manual to check if there are any specifications regarding tire services. The last thing anyone wants is a tire blowout or failure, and getting tire services also improves fuel efficiency as well as traction. Similar to the interval for an oil change, tire rotation is an integral part of your system’s health. The standard answer for how often we should receive tire rotation services seems to be 7,500 miles or every six months. For example, the front wheels for front wheel drive cars do more work than the others tires, so rotating their position allows for them to take a breather so to speak, preventing the need for future tire services. The reasoning for this service is that by switching the positioning of your tires, they will experience a balanced amount of wear and tear, therefore their lifespans will be relatively even. But before the damage occurs, we can do a few things to prevent these hazards, such as getting tire rotation services frequently.ĭuring the procedure, the tires of your car will be removed, swapped around depending on your vehicle’s type of drive, and then remounted. Without our tires, well, we aren’t going to be moving anywhere! Yet caring for tires flies under many people’s radar unless it’s clear that one has become flat or damaged.
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Archived from the original (PDF) on Janu. Australian Recording Industry Association. ^ "The ARIA Report: Issue 1091 (Week Commencing 24 January 2011)" (PDF).^ "ITunes - Musik – "Secrets - Single" von OneRepublic"."Chart Watch: Pitbull & Kesha & Eminem & RiRi". ^ "Secrets" music video ( The Sorcerer's Apprentice version) at YouTube.Archived from the original on July 13, 2014. ^ Ryan, Tedder OneRepublic (December 7, 2009).
New York Times bestselling author Sara Vladic Joe Johnson’s story is truly a testament that every one of us can overcome the obstacles that we are dealt, and even thrive when the odds are against us.” Humanity and horror mix and mingle in the fray, but in the end good triumphs over evil. In particular, he writes beautifully and hauntingly about the paradoxes of war. “Marcus Brotherton has crafted a strong and respected canon of narrative nonfiction books. This account of Joe Johnson’s experiences is hard to put down. Heather Morris, #1 internationally bestselling author, ‘The Tattooist of Auschwitz’ With impeccable research, he beautifully educates us to a time and place in history that needs to be remembered and acknowledged for the bravery and resilience of so many, under brutal circumstances. Not only has Marcus Brotherton brilliantly chronicled the life of one boy, but in doing so he has told the story of countless others. “A gripping book, storytelling at its best, with an enduring message. This lyrically written and deeply encouraging saga will remind you that every life can be lifted, forgiveness is the patron of restoration, and redemption is available to all. The boy endured years of horror as a prisoner of war, only dreaming about seeing again the girl he’d come to love. Joe and his fellow soldiers fought for four brutal months in Bataan and Corregidor, until they were forced to surrender. Yet when the Japanese attacked on December 8, 1941, their hopes of being together had to wait. Seeking freedom and adventure, he was sent to the Philippines.Īdrift in spirit, Joe became unlikely, smitten allies with a teenage girl from Manila. ran away from home at the age of 12, hopping a freight train at the height of the Great Depression. An incredible true war story of an underage soldier who experiences his first love and loss on the battlefields of Bataan and Corregidor. Steve Martini, New York Times bestselling author of ‘Blood Flag’ Andrew Kaplan, New York Times bestselling author of ‘Blue Madagascar’ Joseph Finder, New York Times bestselling author of ‘House on Fire’ Don Bentley, New York Times bestselling author of ‘Hostile Intent’ Susan Meissner, USA Today bestselling author of ‘The Nature of Fragile Things’ Mark Greaney, #1 New York Times bestselling author of The Gray Man series Rhys Bowen, New York Times bestselling author of ‘The Venice Sketchbook’ Lisa Wingate, #1 New York Times bestselling author of ‘Before We Were Yours’ Mark Sullivan, #1 New York Times bestselling author of ‘Beneath a Scarlet Sky’ One of the finest books of historical wartime fiction since ‘Once and Eagle’ by Anton Myrer.” But the ordeal is only the beginning of their nearly four-year fight to survive. With no hope of rescue, the three friends vow to make it back home together. What follows will become known as one of the worst atrocities in modern warfare: the Bataan Death March. Within hours, the teenage friends are plunged into war as enemy warplanes attack Luzon, beginning a battle for control of the Pacific Theater that will culminate with a last stand on the Bataan Peninsula and end with the largest surrender of American troops in history. Life in the Philippines seems like paradise - until the morning of December 8, 1941, when news comes from Manila: imperial Japan has bombed Pearl Harbor. Jimmy Propfield joined the army for two reasons: to get out of Mobile, Alabama, with his best friends Hank and Billy and to forget his high school sweetheart, Claire. Inspired by true stories, and written in tribute to those who were there, The Long March Home is a gripping coming-of-age tale of friendship, sacrifice, and the power of unrelenting hope from two New York Times bestselling authors. Suggested Read: How To Restart Roku TV In Seconds How to Stop Roku Apps from Closing: If none of these steps resolve the issue, you should contact Roku Customer Support and help them get it working again. The update may stop, and it may cause an error, and newly installed may install a clean new version of the app and fix the previous problem. Find the channel you removed and select it to reinstall.Select ‘Streaming Channels’ to add a channel back to the home screen, and it will bring up a list of all streaming channels.You will then be prompted to enter your PIN.It will provide an option where you can select ‘Remove.’ Mouse over the channel first with the help of your remote.For Roku, a channel is a name they use for an application.The steps to remove and add a channel are as follows: Then remove the channel in the settings and add it again. If it is not, then it is just a channel or test to see all the channels that are not working. Then check if it is working properly as before. Here are two things you can do, first unplug your Roku device and restart it. If Roku App suddenly stops working or if it hangs on buffering and only displays a black screen or when you select it, then nothing will happen. Why is my Netflix app not working on Roku?.Roku TV Connected to Internet but Apps Not Working:. How to Fix Sling TV When It’s Not Working:.Roku Apps Keep Disconnecting from TV: Solutions to Try.Troubleshooting Roku Apps That Keep Freezing:. Other than the gold faceplate and different color cable, it offers nothing that wasn’t in the previous generation. The ZSN Pro X is a cosmetic upgrade to the original ZSN pro, but is otherwise unchanged. Layering is good but not spectacular again as well. Instrument separation is good and again on par with what we saw from the original Pro model. It takes some listening and the right tracks to really nail down the stage size so don’t be surprised if initial impressions don’t reflect this. It is track dependent but when fed good source material, it can be 3D and well proportioned. Soundstage on the Pro X retains the quality of the Zsn pro, which was quite good. Sibilance will present itself when the recordings tend that way, but not otherwise. Fatigue shouldn’t be an issue unless the listener is more treble sensitive than average. The treble extension is enough to give the Pro X a bit of air at the top but sparkle is limited at best. Treble detail is good and timbre of snare is acceptable but cymbals can get a bit metallic and clicky at times. Treble matches the mid-bass in quantity and gives the Pro X a deep V shape as a result. Upper mids do climb forward and give female vocals a more forward push, but here again, not distinguishably different than the Zsn Pro. Here again A/B testing shows the same pattern established by the Zsn Pro and while I would have loved to see mids recessed a bit less, I can’t say they are any different than on the previous generation. A/B compares with the Zsn Pro show these two as twins.Īs we move from mid-bass into lower-mids, the emphasis is removed and as we move into the true mids the move back even further. Mid-bass is pushed forward and is still a bit loose at times with some bleed into the mids providing a bit of warmth in an overall bright signature. Speed is not perceptibly different from the previous generation as attack is still slightly faster than decay leaving a bit of lingering weight and warmth. Sub-bass depth and quantity is quite good on the Zsn Pro X with roll-off only becoming perceptible below 45Hz. My notes are based on the provided large tips as I know not everyone will have access to the Shure tips but for those who do, I recommend a swap. The good news is EQ and tips do a lot for mitigating that if you should wish to do so. I found that I liked what Shure large Olives did for the sound of the Zsn Pro as by default it is a little too mid-bass forward for my tastes. My sample does not have the mic, but that option exists for those who prefer one. The other end of the cable sports pre-formed earhooks with clear hooded bi-pin connectors. The Jack is the standard 3.5mm TRS 90º connector standard on all KZ cables these days. (If anyone at KZ is listening, please, please, please move the splitter up!). This makes the cable entirely more tangle prone than it should be and would be easily cured by moving the splitter about 8 inches further up the cable toward the earpieces. The splitter is still way too low to be practical and no chin slider is present. It is well made with a 4 strand braid below the splitter and twisted pair above it. The cable is the standard KZ too although it is now silver plated and in a clear housing rather than the standard brown. I found the Zsn Pro really did not scale particularly well and the Pro X is no different so those using a phone or tablet are probably getting the same experience as those using a dedicated DAP or AMP. Sensitivity is still the same at 112dB/mW making the ZsN Pro X fairly easy to to drive from smartphones or tablets. The ZsN Pro X uses the same 2nd generation 10mm titanium coated diaphragm dynamic driver and customized 30095 balanced armature as the ZSN Pro, but curiously now lists the impedance as 25Ω rather than the 24Ω of the ZSN Pro. Most of them occur in the game’s menus, as descriptions often don’t match up with the items they should. First off is that it can be quite buggy while I’ve never encountered anything especially debilitating or game-breaking there are a few annoying glitches that made it into this in the game that are nonetheless impossible to really overlook. While the game runs like a dream on the Switch there are still some issues I have with this adaption. Which isn’t to say that the port is flawless, mind you. In many ways, it looks better than I remember it looking on PC. The game is as bright and charming as ever, with colours and effects popping against the often variety of environments. It’s a game from six years ago so it was never going to have the best graphics around, but Torchlight 2 has always rolled with its graphical quality, utilising it more as a style than leaning on it as a limitation. Maps load especially quickly, with loading times going by faster than I ever expected them to and the game looks crisp as ever. The game runs at a solid 60 FPS, only ever giving the most minor of stutters when things get frantic on-screen and even then it’s only for the briefest of seconds. This would be the thing to do it, don’t let it be true Torchlight! Most of your game consists of killing dozens of enemies with flashy skills, oh I can’t bear to…oh, wow not even a single chug? Torchlight 2’s performance on Switch might just be the best port of an older game to the device I’ve seen since…I don’t know. I killed my first enemy, still expecting a dip in performance…yet it did not come. I moved further along the path, waiting for the inevitable drop in performance…yet there was nothing. Standing still on the first map, I was at 60 FPS. So going I held my breath as I started up Torchlight 2, obviously worried that it would be plagued by the same issues that have made returning to so many favourites on a hand-held device so disappointing. Many Switch ports are plagued by excessively poor performance, down-graded graphics and all kinds of bugs that stem from a weaker system accommodating for gameplay that was never designed for it. The Switch isn’t exactly the most powerful of machines so you expect to sacrifice some level of performance to accommodate for the convenience of taking some of your most beloved games on-the-go but it’s often not worth the trade-off. I’ve reviewed quite a few ports of my favourite games onto Nintendo’s hybrid console and more often than not I’ve been resoundingly disappointed. I was somewhat concerned about the Switch port of Torchlight 2. In the September of 2012 I turned to Torchlight 2 to take my mind off the looming idea of maths and physics exams and to go back to it now, well, it feels like I never left. It can be a really stressful time and while many younglings relieve that stress through going out with friends, playing sports after school or having clandestine parties shrouded in the shadows of their complex pool, I was never really keen on many of those things. A lot of people tend to forget just how stressful high-school could be at the time we look back on what were generally carefree days and smirk at how good we had it, but when you’re a teenager, insulated within the very small world of school above all else, everything feels a lot bigger than it has any right to be. Teachers won’t stop going on about how we have to start studying now for our exams while continuously giving us essay after project after presentation to prepare for at the same time. It’s September, so the end of the year is starting to make its presence known. I’m in grade 11, sixteen years old and going through the paces of high-school. An incredible amount of data collected over the last century has strengthened the case for the Big Bang, and also shown it to be even more bizarrely strange than first thought. Of course, we now call this moment the Big Bang. Taken together with Hubble's law, the implicaiton is that everything-matter, energy, space, and even time-all started as a singularity-a point of infinite density, without any size at all. The galaxies are moving farther and farther apart like beads strung along a stretching band of elastic. The most exciting implication of the Hubble Law is that, if everything is moving away from us now, everything must have been closer and closer if you go further back in time. If we rewind the Universe's clock far enough (about 13.7 billion years) then we find that everything in the Universe must have been at the same spot at the same time.Įven more strangely, research since Hubble's time has shown that all these galaxies are not moving through space at great speeds, rather space itself is expanding. Hubble found that the further away a galaxy was from us, the faster it was moving away from us. This is called Hubble's Law and, when plotted, the slope of the graph is called the Hubble Constant. Until astronomers developed infrared telescopes, the most distant universe was hidden from them. One consequence of the Hubble Law is that if you want to look at the most distant galaxies in the universe, their light will be shifted entirely into the infrared part of the spectrum! When he combined that information with their distances, the result changed the way we view the Universe. This shifted their light to longer wavelengths, more towards the red side of the spectrum. Indeed he found that not only were galaxies all moving, almost all of them were moving away from us. Light waves, like sound waves, are subject to the doppler effect, and Hubble was able to use this phenomenon to measure the speeds of galaxies. If it moves towards us we hear a higher pitch (or frequency), while the pitch shifts lower if it is moving away from us. The shift is stronger the faster the vehicle is moving. You may have heard the pitch of the siren on an energency vehicle changing as it passes you on the street. It is caused by the doppler effect, which we commonly encounter here on Earth with sound waves. Redshift is a term that refers to a shift in the wavelength of light from an object resulting from its motion towards or away from us. Humason, to measure the galaxies' redshifts to determine how quickly they were moving. Having measured the distances to the galaxies, Hubble worked with fellow astronomer, Milton L. His measurements, which built on the research of Henrietta Swan Leavitt, showed that these "nebulae" were far too distant to be part of our own galaxy, and were, in fact galaxies in their own right. Hubble measured the distances to a number of galaxies, which had been long believed to be "nebulae" within our own Milky Way Galaxy. Hubble made his historic observations of galaxies using the 100" Hooker telescope on Mt Wilson, near Los Angeles, California 4K video recording (for devices that support 4K video).Maintain better eye contact with the camera.Present your videos just like a professional.Whichever way you set your device, Video Teleprompter will automatically position your script alongside the camera. There is no need to memorize lines or to look away from notes! Read your script beside the camera, keeping your gaze fixed on the camera. This iOSapp enables you to capture professional-looking and natural-looking films. It’s also important to use your own words in a friendly conversational manner and do some run tests in advance before you reach the point when you feel comfortable enough with your performance.This is a fully-featured teleprompter solution for your videos, complete with dependable professional tools. That way you’ll be able to fit more text next to the camera lens thus minimizing your eye movement to a minimum. This functionality includes features such as autofocus lock and exposure lock, which is necessary to avoid your video from constantly changing focus and lighting conditions mid-take.īut if you really want to nail down your presentation while using the app, try to make the text font of your script as small as possible. In addition to the customisability, the app also offers basic filmmaking essentials that are absent from most teleprompter apps on iOS. This makes your presentation look more natural and less like you are just reading a plain text. The latter could be an extremely handy feature since by decreasing the area of the text, all your dialog is pushed closer to the side of the camera, making your eyes seem more like they are pointed at the camera versus at the screen. In fact, you can even choose to disable the auto-scrolling of the text if you want.įurthermore, the Video Teleprompter Premium gives you the ability to adjust the area of the teleprompter text. In the app, you’re able to make adjustments to the font size, font type, text color, text background color, and of course the teleprompter scrolling speed. The most significant reason why Brown recommends Video Teleprompter Premium above all the other apps on the market is the array of customisation features that come with this version. So, if you’re serious about using a teleprompter for your iPhone/iPad shooting needs, you may want to consider shelling out the cash for the premium version that, in fact, will cost you less than $20. The app comes in two versions: Lite and Premium, although this article will focus on the Premium version since it comes with more features. The function of the app is simple and straightforward – it allows you to record video using your iPhone or iPad’s front-facing camera while displaying a teleprompter on your device’s screen, letting you read your lines as you record your footage. According to Justin Brown of Primal Video, here’s the best teleprompter app for iPhones and iPad – Video Teleprompter. Among all the different applications, there’s a particular one that seems to have all the bells and whistles one will ever need when shooting this type of videos. What’s more, in conjunction with your iPhone or iPad, these apps could be an extremely convenient solution, especially when you are in a pinch or you just don’t have access to a conventional teleprompter. While teleprompters used to cost thousands of dollars and were exclusively used by studios and big TV production companies, the dawn of smartphones and their app stores have allowed developers to create advanced teleprompter apps that can virtually do the same job but for a fraction of the cost. Nothing is ever as it seems in a gripping single-player Campaign, where players will come face-to-face with historical figures and hard truths, as they battle around the globe through iconic locales like East Berlin, Vietnam, Turkey, Soviet KGB headquarters and more. If you only ever play one Call Of Duty, make sure it is Modern Warfare.įor more heart pumping action, check out our collection of the best video game openings. Black Ops Cold War will drop fans into the depths of the Cold War’s volatile geopolitical battle of the early 1980s. The 2016 remaster only improves on it, getting a timely visual update that makes it just as crisp as its bundle brother, Infinite Warfare. Bursting with unforgettable missions - Death From Above, All Ghillied Up, Charlie Don’t Surf to name a few - and a slither of surprising nuance, it’s the best war story the series has ever told. That alluring mix of compulsive unlocks, brilliant map design and powerful feedback is still hooking players to this day. Revolutionary multiplayer, especially on consoles, is the main reason why. (6) Tough Economy 15 Use no more than 6 TOW guided missiles to destroy the tanks in the defense of Khe. A revelation at release and an indisputable classic now, this is the standard every new entry must measure up to. (23) A safer place 10 Sabotage the Soviet space program. There’s no argument that Call of Duty 4: Modern Warfare is the series’ highlight. Platforms: PS3, Xbox 360, Nintendo Wii, PCĭid you expect Black Ops: Declassified? Come on. Developer: Infinity Ward (original) / Raven Software (remastered) For this, he created the OREL Foundation. James Conlon, Music Director of the Los Angeles Opera, has made it a life-long mission to bring light to music lost in the Holocaust. Ullmann was an esteemed composer with a rising career before he was sent to Terezin in September 1942. Viktor Ullmann led all cultural and musical activities at Terezin. Thirty-three thousand died there, 88,000 were deported to extermination camps, and 19,000 survived either in the ghetto or among the groups that had been transferred to Sweden or Switzerland. Nothing could have been further from the truth.īetween November and April 1945, a total of 140,000 Jews were brought to Terezin. They walked away, reporting that these were not death camps, but safe havens where the Jews were protected as the war raged on. The Red Cross committee was completely fooled. When the Red Cross finally visited on July 23, 1944, they were carefully taken down the staged streets, avoiding the areas of Terezin that accurately represented the devastation, only a block or two from the guided tour. The prisoners were warned in advance what to do and say. They built pretend banks, schools, a cafe, and planted gardens. They increased the deportation of Jews to Auschwitz to alleviate overcrowding. The SS had months to prepare Terezin to appear as a normal town. Music, theater and a rich cultural life prevailed and became the thread of sanity for the Jews of Terezin.īy 1943, enough news about Nazi camps had reached the rest of the world that Hitler agreed to allow the Red Cross to visit Terezin, making sure to first dress it up as a happy place where life flourished. Unbelievably, the Jews managed to organize a cultural life in Terezin - at first beat down by the Nazis, but later encouraged to keep the thousands of prisoners from growing restless. Originally designed for 7,000 people, the Nazis packed 60,000 Jewish prisoners into Terezin, leading to massive hunger and disease. Hitler turned it into a ghetto where the SS sent many Jewish artists, musicians, and intelligentsia. (Photo: Public domain) Today is Holocaust Remembrance Day, marking the atrocities and enormous loss of life in the Holocaust during World War II.Īmong the Nazi concentration camps was one north of Prague called Terezin (aka Theresienstadt), once a garrison town. |